DESN2007 : Speculative Futures : Futuristic Perspectives of the Societ

As show by Dowell (2018), the art of film making has an important role to play in the overall understanding of the indigenous futurism identities that they wish to portray in the movies. The movies Indigo, Four Faces of the Moon are few of the movies that transcend time and show the futuristic perspectives of the society. The use of the sociological and indigenous memories of the people are an important part of the futuristic indigenous projections. The movies develop a mesh of plots that intricately develop to show the futuristic identities of the people of indigenous origins. One of the important perspectives of the people in society are shown in the movies. The movies tend to explore the ancestral memories in the minds of the people who belong to the background of the indigenous cultures. The introduction of the new ways in which the movies can be presented in the article shows the various perspectives and ideas of the futures of the colonial identities. The representation of the womanhood and correlation of the cultural identities to the global idea of womanhood affects the ideals of the people in the society. The overall idea of the indigenous identity presented in the movies go on to show that the people in the society are affected by the cultural identity and the options of the perceivable futures.

As pointed out by Recollet (2016), the speculative futures of indigenous mindsets also show in their art forms. The involvement of the individual perspective in the dance and art form show the development that the individual identities of their art form. The inculcation of gradual colonist ideologies have often affected the individual mindsets of the colonized but their indigenous culture propels them to develop a third space of their identities. The way that the music video shows the indigenous art form also focuses on development ideologies as the future of the earth can be perceived. the dance take steps from the native American and Indigenous dances which speculative of the cross cultural differences and mixed identities that the current generation is facing amidst the conflict of cultures that their going through.the multiple direction of the territories will focus on the development of multiple directional cultural identities to focus on social and cultural identity of the people in the society. The understanding of multiple direction cultural identities of the indigenous people will focus on their art forms as long as there changes in it to accommodate it according to the needs of the modern society and audience. The focus of the song iGlide tend to focus on involving the cultural aspects of the indigenous people in itself. She is the Boring of the cultural artist speculative the artist can modify it according to his artistic freedom to shoot the expression that he wants in his work. In context to the previously discussed movies this song stand important as it shows the futuristic development in the art and cultural aspects of indigenous values.

In the analysis of the Oak Savannah Myers (2017) tends to argue about the sense of Identity of the place itself in the mind-set of individuals. A place according to her is an effect of multiple happenings and actions of individuals and nature coming together to form an identity. things that have been done and undone Forge the natural entity of the place. It is seen that when a person perceive savannahs it takes into account tall grasses and wild flowers natural cultural formations that have taken more than hundred years to bring together What stands before us today. The perspective shows that the place changes identities according to the people who decide their. One of the questions post is whether the trees understand that land has been given and taken in any form. The land and sense of belonging of the people who leave their form a major part of the uniqueness that a place has. It also questions the thinking of new Darwinian theories and ecological thinking in anthropological changes that please has undergone. The Identity of the place is in understanding and sensing how the changes take place with the change in the human movement and the transfer of culture among the people.

In the article by Sterwart (2008), the topic which has been shown and defended is known as the weak theory. The theory alludes to the difference in the composition and the sense of nostalgia that the people gradually face in the description of the future of the indigenous individuals and their writings. The tangles up ideals of the action and relation in the cultural identities have a major effect on the art expression of the people which is shown in the different aspects. The expression of Vermont as the place which is continuously changing which affected the idea of the people about the sense of belonging in the place. The situation of not belonging in a place belonging in it brings about a sense of nostalgia among the people of the indigenous origins. The flooding of the people and the gradual changes that their culture has under gone leads to case of the identity clash in the minds of the people. The people have a sense of dissociated identity which brings bout the sense of nostalgia seen in the poems and the other literary works. There is no social construction or a place in the movie which describes the way in which the literature presents them. It is however evident that it transcends the identity that the people have in the place. One of the major psrts of the dissociation is the sensory movement from the identities as shown by Myers (2017). The identities of the individual in the form of the senses they appeal to have a major role to play.

Therefore it is seen that the these articles have a different perspective in the understanding and explaining the ideals of the indigenous future to the individuals. They focus in the sensory approach and appeal of the different aspects and their effect on expression.

References:

Dowell, K. L. (2018). DIGITAL SUTURES: Experimental Stop?Motion Animation as Future Horizon of Indigenous Cinema. Cultural Anthropology, 33(2), 189-201.

Myers, N. (2017). Becoming sensor in sentient worlds: A more-than-natural history of a black oak savannah. Between Matter and Method: Encounters In Anthropology and Art, 73.

Recollet, K. (2016). Gesturing Indigenous futurities through the remix. Dance Research Journal, 48(1), 91-105.

Stewart, K. (2008). Weak theory in an unfinished world. Journal of Folklore Research, 71-82.